The Staged project documents performative spaces directed towards the spectator seating area. Each respective environment is devoid of viewers, suggesting the pregnant moment before an anticipated spectacle. The absence of an audience altogether nevertheless suggests their presence. The similarity of perspective throughout the series invites the viewer to contemplate the architectural aspects of each setting. The inversion of the traditional role of actor-as-exhibitionist and audience as voyeur alludes to the subjective and constructed nature inherent in all photographs.
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